It
may be that, because I was already thinking about my friend Frank, the Reverend
Smith is gripping my heart in ways fictional characters rarely do.
Vicki
and I have been spending part of most recent evenings in the special pleasure
of watching the entire run of a brilliant TV series, as many episodes as we
want each night, on DVD. When it first aired, somehow Deadwood got by
us.
Based
on the true story and real people of Deadwood, an illegal settlement that grew
like a poisonous mushroom on Indian land in the Dakota Territories during the
Black Hills Gold Rush after the Civil War, the series is a wonder of
authenticity and master storytelling. Every other character is your favorite,
and nearly all of them get some time in the spotlight.
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| Reverend |
Reverend
Smith, usually just Reverend, is the only Deadwood resident without a lick of
self-interest. For the most part he’s ignored by the placer-miners, grifters,
opium dealers and addicts, gamblers, whores, murderers, thieves, drunks,
sociopaths, psychopaths, pederasts, and others who slog through the blood-,
mud-, and shit-filled streets, though none seems willing to risk doing physical
harm to a holy man. Reverend is called upon to preside over the shallow burial
of those whose bodies aren’t more commonly disposed of as feed for Mr. Wu’s
ravenous pigs.
Reverend
preaches in the streets with the intensity and joy of the true believer, but
mostly as suggestions to the sinners, not force-fed fire and brimstone. He
lives the credo of kindness and love in the thick of true hell on earth, and
asks not a thing in return except, late in the game, the chance to rest beside
a whorehouse piano player to better hear and enjoy his music. He’s denied this
simple pleasure and told to leave. He’s bad for business.
Now
Reverend has begun to suffer physical torment, which he bears not as a martyr,
but as a simple child of God. One eye turns down while the other shows a heart
wrenching combination of joy, fear, confusion, intensity, and awe. He still
approaches everyone as friend, but asks to be forgiven when he cannot always
remember whom they might be, and if in fact they are friends he can no longer
recognize. He holds one arm tucked to his side and stoops against his will,
dragging one leg that offers increasingly little support. Worst, he confesses
in shame, he has spells when he can no longer feel the Divine within him.
Deadwood’s equally good but inwardly raging doctor suspects that Reverend is
being felled by a brain tumor.
Reverend’s
face haunts me, tribute to an actor named Ray McKinnon, who portrays him
on Deadwood. It reflects pain I have
suffered, but without the grace of this man. In his decline, the Reverend’s
face is a study in the beatitude of the doomed believer. It’s all I can do not
to weep for him, a character in a TV movie.
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| Frank |
It
may have something to do with a kind, good man I once knew, my friend Frank. He
showed up when I needed him, though he saw it in reverse. I was working in a
vipers’ nest, where well-meaning efforts were greeted with treachery and
deceit, and not yet recovered from some serious health issues. My father was
declining physically, mentally, and with increasing speed following the wholly
untelegraphed death of my mother a couple of years before. She simply pitched
face forward onto the breakfast table, fell from her chair onto the floor,
mumbled something about a terrible headache, and never spoke another word, “the
healthiest one in the family” dead three days later.
I
had since built, populated, and started tending a honeybee hive in my dad’s
backyard, pleasantly distracted and absorbed by these ancient, helpful, and
wondrous little creatures. They demonstrated order in a time of chaos, trust as
long as I behaved in ways that suggested no threat, and provided me with honey,
respite, and peace.
I
wrote about the experience several times, getting no response from my urban
readers, except Frank. He sent a letter, thanking me for these tales with an urgency
that seemed far out of proportion to what they told. He had once been a
beekeeper, had quit long before for reasons he didn’t explain, but felt the old
feelings and was thinking of starting in again after reading of my own
enthusiasm for this gentle husbandry. I emailed him privately, asked for his
phone number, gave him mine, and we arranged to meet at his place.
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| Bucky Fuller's "Dome Home." Frank's was grander. |
He
was elderly and a bit frail for reasons he seemed unwilling to share. We talked
bees, and writing, and kismet, and gradually he opened up just a little. He was
a former priest, and was married to a former nun, who cheerfully moved
throughout the large geodesic dome that was their home in a thickly wooded area
of a Detroit suburb. Now and then she crabbed a little about Frank’s renewed hobby,
but they were loving pokes at the man whose secrets she shared and for whom she
subtly feared – something.
Frank
had long counseled drunks and addicts, and told me only that some unspecified
“doubts” had led him to leave the church. Even when his face was split with a
grin, his eyes betrayed a torment he would say nothing else about.
We
discussed books, some politics, the human comedy – with for-instances – my
parents, our children, his grandchildren, the addictive personality and the
relatively infrequent times when it is remediated, plants, birds, the damned
insecticide merchants who were contributing to the threatened erasure of wild
and domestic honeybee populations, woodworking, the peculiar and undeniable
benefits of geodesic dome construction and habitation, life in the woods even
at a minimal remove from paved streets and overbuilt lots, comparative
religion, and comparative hive design.
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| Tending a top bar hive in Kenya |
We
thoroughly discussed the so-called top bar hive, which is more common in developing countries than here in the U.S., where the boxy, carefully
configured Langstroth hive predominates. It was invented and patented a decade
before the Civil War by a Philadelphia-born Congregational clergyman who
started keeping bees to cope with depression.
The
top bar hive begins as a simple wooden trough with sloped sides, surmounted
under its cover by a series of parallel wooden bars, each smeared or otherwise
fitted with some “starter” beeswax. The honeybees construct, or “draw,” their
freeform combs from the underside of the bars and working down, much as they do
in the wild. Frank and I decided to experiment.
I
built two top bar hives, one for each of us, and we placed them in separate
clearings on his wooded land. We watched them progress for a time through the
glass panes I had fitted on one side of each hive, and were encouraged by how
quickly the curvaceous, golden comb began to fill the empty space inside, back
to front. The bee populations were thick, in constant motion, and gentle.
Then
it stopped. Workers were stumbling around on the landing board at each hive’s
front entrance. Even as we watched, distressed, they fell singly and in
haphazard groups from the landing onto the ground below, where their corpses
piled up. The hives showed no sign of insect or animal invaders, they were
visibly clean and watertight, and there seemed to be no problem that we – the
beekeepers – could alleviate or eliminate.
Well
before the season was over, our hives were dead. We puzzled over the disaster
and settled on the beautifully flowered and landscaped condo development nearby
as the cause. Several times, Frank had seen the grounds misted with chemical
fertilizers and insecticides and it seemed obvious that our honeybees collected
nectar and pollen from these toxic blossoms, brought it home, and suffered the
consequences of a weedless, pest-free landscape.
We
didn’t say the words, but Frank and I seemed to conclude that trying again
would be pointless under the circumstances. We corresponded. He was angry at
the state of his health. We were both grieving the failure of our mutual
beekeeping. We worked by day at our respective jobs and tended to our lives
outside of them. He had a new grandchild. My sisters and I took over our
father’s life and care. I fell in love the first time I met and spent a couple
of mealtime hours with Vicki, and decided we would marry.
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| Our wedding |
When
the time approached, we decided – having each been married before – to make it
a private occasion. I had a favorite Italian restaurant, upscale and owned by
the namesake daughter of the couple who had run the best pizzeria in my
childhood stomping grounds. She created a menu for our wedding dinner,
including a dessert of zabaglione, with a wink to the fact that I had once
written of the airy dish as an aphrodisiac of strong reputation. As kismet
provided, Frank and his wife lived just a few miles down the road. We asked him
to preside.
Without
fail, during every visit during our summer of bees, Frank thanked me with
everything in him for reawakening the joy he had once felt in beekeeping.
Almost embarrassed, each time I changed direction to my gratitude for finding a
kindred soul, and a wise and gentle friend. But when I asked him to perform our
marriage, he reacted with something even more profound. It caught his breath as
though he wanted to say, “Are you sure?”
We
showed up at the restaurant before the Friday evening rush, were shown to a
romantic corner in the fireplace pit, and began. Vicki and I had written our
vows – some autobiography, solemn promise, and simple words – and sent them to
Frank shortly before, asking if he’d read them for us. The restaurant owner and
Frank’s wife stood as our witnesses. We all dressed for the occasion, Frank and
I in black suits, our ties matching Vicki’s red wedding sheath, which we’d had
handmade and custom fitted by Hong Kong seamstresses. My hair was trimmed, gray
and thinning. Hers was a golden, glowing whirl. A waiter stood to one side
snapping pictures. He did his best.
Frank
faced us and recited a brief proem, as personal and warm as anything I’ve heard
in any church, on any occasion. When he turned to our vows, first Vicki’s and
then mine, he smiled and paused here and there, his breath again catching. We
loved him. Then, by the power of the state, we were pronounced two made as one.
Not
long after, Frank died. The cause was a vicious cancerous brain tumor that he’d
never quite disclosed to me. For a while before he succumbed, it attacked when
he tried to speak, and otherwise hectored that good man’s body.
On
the day he died, his wife said while informing us of the event, several young
deer stepped from the trees and, unprotected and in full daylight, gathered
calmly and quietly beside the geodesic dome. They too, I guessed, had lost an
important friend.
It’s
a loss I continue to feel as sorely as for anyone I knew much longer, before
they went wherever we go when our bodies are finished. Hopefully, there is
another place where the big questions and the tormenting doubts are answered.
So
it’s hard to watch what is, after all, only a television drama, as Reverend
stumbles cruelly to his own end, his face, like Frank’s, a study in the
beatitude of the doomed believer. Requiescat in pace, both of you good men.
One may as well have been the other.






